Church of Santa Maria Assunta in Castelfranco Emilia

Chiesa santa maria
Chiesa santa maria

Church of Santa Maria Assunta in Castelfranco Emilia

The Church of Santa Maria Assunta is the oldest church in Castelfranco, as well as the town’s main place of worship. Built between 1226 and 1232, when Pope Gregory IX authorised the relocation of the Church of Santa Maria di Ambliano within the walls of Borgo Franco – now known as Castelfranco – it was initially smaller and had a single nave; in 1692, the building, which had fallen into disrepair, was replaced by a new church, completed in 1704. During the late 19th-century renovation, the two side aisles were added, the apse was enlarged, the portico on the south side was demolished, and two new doors were opened in the façade, in line with the aisles.
The façade was redesigned by Edoardo Collamarini in 1914; the bell tower, built in the late 17th century, was rebuilt in 1921.

Inside the church, the second altar on the left-hand side of the nave is dedicated to the town’s patron saint, Saint Donnino, whose feast day is on 9 October; beneath the altar lie the remains of Saint Prospero, which were donated by Pope Benedict XIV in 1750 to the members of the Confraternity of Suffrage from Castel Franco during a pilgrimage to Rome.

Nella Chiesa sono presenti le seguenti opere dell'artista castelfranchese Angelo Tavoni: il bassorilievo in terracotta "Ultima cena", i bassorilievi in terracotta "Battesimo di Cristo" e "Resurrezione di Cristo" sopra la porta d’ingresso, e il bassorilievo in terracotta patinata "Consacrazione della Chiesa di Santa Maria Assunta".

Which 17th-century painter has some canvases depicting the church?

Find out if you recognize the prominent artists featured in the decorations of the historic church.

What restoration was carried out in 1914?

See if you can match the year to the Collamarini restoration project.

Who painted the famous work ‘Beata Vergine Maria Assunta in cielo’, which hangs in the apse?

Discover the artist behind the famous painting ‘Beata Vergine Maria Assunta in cielo’

How did the painting of Saint Barbara – which was originally painted for the chapel at Forte Urbano – come to be in the Church of Santa Maria?

Discover the origins of the painting depicting Saint Barbara

What is the name of the sculptor who created the two statues of Saints Giminiano and Petronio, the patron saints of Modena and Bologna, which are situated beneath the portico to the left of the façade?

Test your knowledge by identifying who sculpted the statues of Saints Giminiano and Petronio

What threat is inscribed on the stone slab set into the wall to the left of the high altar?

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